Category: Blog

  • Mughal Architecture

    Mughal Architecture

    I seemed to have been quite obsessed with cultural research as a teen/young adult. I recently discovered a leather-bound book that contained my 4500 word dissertation for school, based on the architecture of the Mughal Empire.

    This was such an exciting project for me, I remember my mom and I traveled to Lahore (we live in Karachi) and visited the famous Lahore Fort, Badshaahi Masjid and got permission to photograph even some restricted areas. Discovering it in my mom’s things after 20 years has certainly been wonderful!

    This book has taken a beating!
    Each Chapter began with a sort of “centerfold” pull out, in an attempt to show the grand size and scale of these monuments.

    In the 90s, I was a teenager who had lived in two other countries before my family moved us back to the motherland. Sadly there was no positive image of Pakistan for me to adopt. The country was wrapping up a decade-long military dictatorship, and the new seeds of democracy were nothing more than a farce enacted to pacify global leaders and coerce external funding that would ultimately be stolen by our very corrupt politicians.

    Researching this project became such a rewarding experience, because learning that I was part of a culture that was able to create something of lasting beauty, gave me hope for the future.

    Now, years later, it occurs to me that this might be why History is such an important subject for young people, because how can you imagine future success without some sort of proof that someone like you succeeded in the past?

  • Exploring past ideas to pave the way for new ones… my icky thesis wasn’t always that bad!

    Exploring past ideas to pave the way for new ones… my icky thesis wasn’t always that bad!

    My graduate thesis was fraught with every kind of obstacle, obstruction and ornery feedback possible, and luckily, only about 50% of that was my fault.

    A little explanation: the film I made was not my original idea, nor was it something I particularly felt strongly about when I started planning my thesis concept. Actually, my first idea was formed around the illusions we create around ourselves, and the lies we choose to believe.

    Unfortunately, my version/representation of the idea was too… generic? Western, non-cultural? I can’t be sure of the exact phrase, because the idea was torn apart by 9 faculty members, who weren’t feeling it. It wasn’t until I recovered from the shock of rejection enough to go and individually ask each and every person on the faculty why they didn’t like what they saw.

    The basic gist of what I got: “it’s not true to who you are”.

    I was confused, I know I spent a lot of time at school, but none of my faculty knew me well enough to say that. Then round two finally pulled out the underlying reason: a young woman from Pakistan cannot possibly be true to herself if she isn’t making a film about her culture. And this, a film that depicts a smoker finding a new truth behind his smoking… nope!

    I’m tempted to start off on a rant about this, but, at the time, I was just angry. There were no words that I could use to convince 9 members of my all-white faculty members that I resented being pigeonholed into a stereotype. I was angry because one of my professors showed me a really crappy animation done by a former Pakistani student that had a rickshaw as the central character. (So colorful! We love to see how colorful your culture is!)

    Never mind that I was the grumpiest, bitchiest (sorry about the word, but it’s an accurate description), darkest and completely morbid creature ever. Never mind that I, as a Pakistani woman, felt absolutely no need to represent “my people” and in fact, had put a lot of energy trying to separate myself from the association. I was angry, but, as many level-headed friends explained, I just needed to graduate. And to do so, I had to play their game and follow their rules.

    So I presented this a week later:

    A one-frame depiction of my representation of colonialism and the kind of control a small group of people can have over a large population. My hypothesis was simple, “Control is all in your mind” and the only way to be free is to stop giving them that power. This is obviously just a description of colonialism, I know slavery worked differently.

    I won’t bore you with the rest of the sad story, needless to say, I wish I had never allowed myself to be pushed to make a story I was not ready for.

    But now, 10 years after I pitched that idea, I can see new ways of telling this story. Moreover, I recently discovered the rough animatic of my original idea… and it’s got a few germs of interest there! Who knows? Maybe I’ll start going back and making these stories the way they should have been made in the first place!

  • Ear Modeling Demo

    Making ears can be super easy if you don’t need a lot of detail, however, when you want to bring a certain degree of realism in, the loops can go absolutely everywhere! This makes a complicated feature a little bit simpler to work with.

  • CGMA Rigging Workshop

    CGMA Rigging Workshop

    Super excited to have completed this intensive yet illuminating course with the CG Master Academy with Nico Sanghrajka!

    I’m so inspired I can’t wait to redesign my own rigging class to reflect the new information!

  • 14 Steps to Handle Graduating with an Animation Degree

    Once the grueling process is over and you have officially collected that coveted degree in Animation, life can suddenly seem full of possibilities and yet utterly petrifying.

    The level of petrifying depends on how optimistic a person you are but I think it is common to feel a little lost. Having been through this process myself and seeing many others go through it, I have compiled what I feel is a collection of the best advice I got about life after Graduation.

    1)   Don’t dwell on your thesis film. It will have things you’ll want to fix and you should be realistic about how much you want to polish and which things will never even be noticed by anyone other than yourself.

    2)   Don’t dawdle over your website and business card and other professional paraphernalia.
    It’s easy to think that you should only start putting yourself “out there” once you’re ready, but you’ll really never be ready until you start applying.

    3)    Apply EVERYWHERE. And don’t start by applying to Pixar and Disney and whatnot. Make all of your application mistakes on small companies that are more likely to write back to you and tell you why your application was not chosen.

    4)    Learn from each application process. Refine the language on your resume, keep tweaking your cover letter, keep cleaning up and updating your demo reel.

    5)    When looking at companies and jobs, remember smaller companies usually offer greater opportunity for growth and tend to give their employees more creative freedom.

    6)     Believe in yourself. Don’t be blind to your shortcomings, but understand that there is a potential genius inside you who is waiting to come up to the surface. The only way that can happen is if you build up your self-confidence and work to show your best self off.

    7)     If you want to build a portfolio that will get you noticed with bigger places, look for a company that has a vision you appreciate and are inspired by. Then you can learn from people whose art you respect and they can mentor you and make you stronger as an artist.

    8)     Keep making art. If it’s tough to focus alone, find other job-hunting friends and get them to collaborate with you on films, games, anything.

    9)     Focus on what you love to do and don’t keep trying to accommodate your skills to match your idea of “what’s in demand”. The demand changes every week, you just have to wait for your week to roll by again.

    10)    First and foremost, be good at what you are selling yourself as. If you need to refine the skill, keep refining it while you apply for jobs. Send updated/refined animations to people you want to work for/with. Ask them for feedback and then try to implement those changes in the quickest and best way possible.
    Showing someone that you work hard, listen well and are willing to improve is the best way to impress them. And employers love people they can rely on.

    11)    Retain your competitive edge. Submit to festivals, take part in competitions. Start a production blog and talk about your work in progress and what you’re researching now. Just because you graduated doesn’t mean you stop learning. College was the first step but it’s up to you to stay current. It would be even better if you got ahead of the times too but let’s just take the first step and then see.

    12)     Network. Network. Network. That doesn’t mean you call up random strangers and start asking them for jobs, it means you put yourself in places where you can shine as a person and do your best to be noticed. Don’t discount the dorky geek who hasn’t graduated yet, you never know who can facilitate your success. Go to conferences, festivals, comic cons… anywhere you would ordinarily go to have fun. Just keep your eyes open and start fun conversations with random strangers!
    Animators are people just like you and it’s just as possible to run into someone in a gaming den as it is in a Job Fair.

    13) Enjoy yourself! Most working professionals would kill to have the kind of free time you do. Use that time to relax, organize that closet you’ve been ignoring, go on that road trip you really wanted when you were suffering in school.

    14) Carry your sketchbook and record all of these experiences. You’d be surprised at how useful they’ll end up being. Animators distill truth into entertainment: how useless would you be if you never did anything to talk about?

    My final thought is that patience can be a double-edged sword. A lot of people preach it as a good way to survive the job-hunting process but it can hurt just as much as it can help. Find your balance, know when to stop or shut up and try to pick out the moments that call for a good push! Then make it happen! Congratulations!!

  • Must-see Animations

    Some of these are really popular but I think you’ll get a kick out of the rest!

     

    http://machoarts.com/15-amazing-animated-short-films

     

  • Quirky stuff

    I added this just because I couldn’t resist.

    And I think my students are starting to feel this way!

    Click and enjoy!

    http://www.devastatingexplosions.com/

  • New Heights of Concept Art

    [youtube=http://www.youtube.com/watch?v=AfMcbsE-kf8]

    And to see the actual artwork, please follow this link:

    http://aurelien-predal.blogspot.com/2011/11/un-monstre-paris.html

  • Movies to watch for inspiration and ideas for film-making

    [youtube=http://www.youtube.com/watch?v=cTFzA5HsIbs&feature=related]

    [youtube=http://www.youtube.com/watch?v=fRE52OHbW-U&feature=related]

    [youtube=http://www.youtube.com/watch?v=wZBfmBvvotE]

    [youtube=http://www.youtube.com/watch?v=ucMLFO6TsFM]

    [youtube=http://www.youtube.com/watch?v=xU1tOILkIP4]

    [youtube=http://www.youtube.com/watch?v=SUXWAEX2jlg]

    [youtube=http://www.youtube.com/watch?v=6s8d92iMkU0]

    [youtube=http://www.youtube.com/watch?v=9XSZ1rzQizw]

    [youtube=http://www.youtube.com/watch?v=4_67t6I_beg]